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Lyrically, Olivia Rodrigo has several identities. There\u2019s the melancholic facet of her that relies on sluggish, piano-driven chords<\/a> to narrate her heartbreak. Meanwhile, she also has an angsty facet that requires aim at people who disrespected her. She\u2019s emotionally fed up and exhausted, and that hearth unfurls into punchy, superior-electricity verses<\/a> that feel therapeutic to scream together to. The singer fused both these versions on her comeback one, \u201cVampire.\u201d <\/p>\n \u201cVampire\u201d<\/a> is an amazing reminder that Rodrigo deserves her seat at the pop desk. The track, which was produced on June 30, is the first taste of her upcoming album <\/a>Guts<\/a><\/em>. She initial teased the one on June 13, exactly where she shared a lilac-hued cover<\/a> of her with band-aids (from a seeming vampire chunk) on her neck. The inclusion of purple, which she largely used in her Bitter<\/em> period, built followers feel this one would be a continuation of the 2020 album. That speculation only heightened once it was exposed she co-wrote the track with producer Daniel Nigro<\/a>, whom she worked with on Bitter<\/em>. <\/p>\n Even though she does adopt equivalent sonic features from her debut album on \u201cVampire,\u201d the power at the rear of this launch feels distinctive. The production sounds loaded and operatic.<\/p>\n In an job interview with Billboard<\/a><\/em>, Rodrigo unveiled the song\u2019s theatrical seem was intentional. \u201cWe usually reported that [\u201cVampire\u201d] was kind of our model of a rock opera,\u201d she reported. \u201cI feel as the album was coming jointly, we were coming up with a bunch of songs that we really liked, but this a single constantly caught out to me as something that I felt like was honoring my singer-songwriter roots<\/a>, but felt like an evolution \u2014 in a good way that was not too stark.\u201d <\/p>\n Generation-wise, it appeared Rodrigo examined the sonic highs in \u201cdrivers license\u201d<\/a> and a slight touch of \u201cBrutal\u201d<\/a> to make this release arrive alive. On \u201cVampire,\u201d she employs gothic-design piano riffs and punk-ish harmonies to contact out an exploitative ex. She\u2019s appear to understand that he was a \u201cfame f*cker\u201d who utilized her for his benefit, and his self-serving perspective left her feeling drained \u2014 like a vampire bite. Her jabs at her ex-lover are offended, a tad whimsical, and so<\/em> excellent. <\/p>\n While she\u2019s reading her ex for filth on the monitor, the tunes video clip tells a different tale. There, she utilizes the context of general public fame to show that even at her worst, men and women will continue to feed on her for pure entertainment. The Petras Collins-directed video clip begins with Rodrigo executing in a cloudy forest, which has a similar essence to Twilight<\/a><\/em>. As she sings the closing lyric of the chorus, she\u2019s hurt by a falling phase gentle and stands coated in blood.<\/p>\n \u201cYou mentioned it was true love \/ But wouldn\u2019t that be tough? \/ You cannot love any person \/ \u2018Cause that would imply you had a heart,\u201d Rodrigo wails as she proceeds to execute. Safety then tries to escort her off the stage, and she operates out of the location in advance of they could do so. She proceeds sprinting till she\u2019s around the freeway and all of a sudden levitates into the sky, practically signifying she\u2019s getting freed from the \u2018blood-sucking vampires\u2019 who only valued her for her talent. <\/p>\n Check out out the audio online video for \u201cVampire\u201d below. <\/p>\n